not really about Ableton, but this guy explains modes quite nicely http://www.ethanhein.com/wp/2011/the-major-scale-modes/ Play the white keys from X to X as a scale- starting at C - IONIAN -standard major starting at D - DORIAN - funk/jazz starting at E - PHRYGIAN - flamenco-y, adagio in g, middle eastern/jewish starting at F- LYDIAN - otherworldly/dreamy starting at G- MIXOLYDIAN - blues/rock - end of hey jude (nahhhh nahh), sweet home alabama! starting at A - AEOLIAN (OR NATURAL A MINOR) - standard minor - sad starting at B - LOCRIAN - dark/strange, unstable not used often http://www.ethanhein.com/wp/2010/scales-and-emotions/
another non-Ableton post, but it's the close enough.. get the paths of all the songs, by highlighting them in Windows Explorer, hold left-shift and right click them...it should give you a "copy path" option. Paste this into a text editor and then put all of the paths in one line, with a space between them. Basically go to the start of each line of the pasted text, hit backspace once and then space once (it will make sense). Select all of that once done and copy it. Next launch Anaconda, type demucs paste your stuff and then -d cuda hit enter It will tell you where the splits are going..
To avoid latency, use the External Hardware Instrument device. Drag it onto a midi track. Generally, record the audio to a seperate audio-track, then disable the midi once you're done. Preferably record pre-fx, so you get a nice dry-signal. A loop note/trick -When the loop first starts, any reverb/echo will not be present. This can be weird, so it's worth recording an extra measure to use . Eg if your loop is 4 bars. Record 5 bars. Ableton can be configured to start at bar 1, but use bars 2-5 for looping. This way you get both a natural start and a natural loop.
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